法像臉部兩頰豐腴、線條圓潤，神態淡然安詳，眉微上挑、眼窩深，眼睛細長、眼瞼微微低垂為眯縫眼，耳垂下垂過下顎、呈現圓扁形，整個頭部的輪廓呈圓弧形結構，肉髻呈現平緩凸起，頭部整體符合北齊時期佛像特徵。髮髻為光身，髮冠為圓桶型，髮冠上以蓮花、流蘇為飾，法像頭部後有圓形背光，背光上有九尊佛陀環繞，符合北齊時期佛像的特徵及紋飾。嘴部線條柔美，嘴角若有若無的淺笑，富有彈性的起伏。有腰身、著天衣，身上瓔珞珠寶繁複華美，右手掌朝上、掌心朝外持無畏印，左手向下掌心向外持與願印，露雙足，立於工字型蓮花座上。
The depicted deity's face has plump cheeks with smooth and rounded contours, displaying a serene and tranquil expression. The eyebrows are gently arched, eyes deep-set, and elongated with slightly lowered eyelids, giving a narrow-eyed appearance. The earlobes extend down past the jawline, presenting a round and flat shape. The overall contour of the head forms an arc, while the flesh bun hairstyle rises gently and protrudes. These features align with the characteristics of Buddha statues from the Northern Qi period. The hair bun in this statue is unadorned, shaped like a cylindrical bucket. It is decorated with lotus flowers and tassels. The back of the deity's head is surrounded by a circular nimbus with nine Buddha figures, in accordance with the decorative style of the Northern Qi period. The statue's mouth is gracefully contoured, with a subtle and elastic upturn at the corners, creating a slight smile. The figure of Avalokiteshvara is adorned with a waistcloth and celestial robe, adorned with intricate and beautiful jewel decorations. The right hand is raised with the palm facing upward and the palm facing outward, forming the gesture of fearlessness. The left hand points downward with the palm facing outward, forming the gesture of granting wishes. The deity stands with both feet exposed on a lotus pedestal in the shape of the Chinese character "工."
法像臉部、胸前、手腳、瓔珞珠寶部分有貼金，髮冠、天衣、蓮座和背板有上彩，但因年代久遠，貼金和彩皆有風化、脫落現象。法像為石灰岩，但因年代久遠，外部已風化而帶灰色，髮冠頂端部分有風化、鈣化現象，法像整體保存完整。此法像雖有風化現象，然貼金和彩已沁入石材。
The face, chest, hands, feet, and parts of the jewel decorations on the deity are embellished with gilding, while the hair bun, celestial robe, lotus pedestal, and background are painted. However, due to the passage of time, both the gilding and paint have experienced weathering and deterioration. The statue is crafted from limestone, which has taken on a gray hue on the exterior due to weathering over the years. The top portion of the hair bun has also weathered and calcified. Despite these effects, the statue remains well-preserved. The gilding and paint have become absorbed into the stone.