| 時代： | 唐朝時期 (西元618-907) |
| 出土地點： | 傳世品 |
| 尺寸： | 高度：約57.6/61 cm 長度：約55 cm 寬度：約20 cm |
| 質地： | 陶瓷 |
| 數量： | 1組2件 |
馬身與尾巴分開製作，再用胎土接上，馬身上向兩邊下垂的馬鞍也是以貼花方式貼上，完成後施以肥厚釉水。馬首相對，雙耳中央鬃毛綁起一垛，肩頸處上為米白色、黃褐色相間的披鬃，披鬃下方、馬的頸部有暈散、自然的黃褐色垂釉，馬的體格健碩、四肢長而有力，皆有一隻前腳向前，後肢微蹲，似續力起跑之態。
he horse bodies and tails were crafted separately and then joined using clay. The saddle draping down on both sides of the horse's back was added using an appliqué technique. After completion, the figurines were coated with a thick layer of glaze. The two horses face each other, with their ears bound together at the center of the mane. The shoulders and necks are adorned with marbled white and reddish-brown manes. Below the manes and along the neck, there are naturally dispersed yellow-brown glaze effects. The horses are robustly built, with long and powerful limbs. Each of them has one front leg extended forward and the hind legs slightly bent, evoking the impression of a powerful start.
胎體為米黃色的高嶺土，胎質粗帶天然雜質，陶俑捏製完成後，全器先上一層化妝土，全器浸白釉，接著在馬身刷上黑釉為底，以黃褐釉、綠釉點綴鬃毛、馬鞍、尾巴與四肢大腿部分，再進入800度窯燒，因釉水肥厚與上釉水的先後不同，帶有垂釉與釉水暈散之現象，尤其馬嘴部、四肢下方垂釉明顯。
The figurines are made from marbled clay in shades of beige and red-brown, exhibiting a coarse texture with natural impurities. After shaping, a layer of makeup clay was applied, followed by a coating of white glaze. The horse bodies were then brushed with black glaze as a base, with accents of yellow-brown and green glaze highlighting the manes, saddles, tails, and thighs. After firing at around 800 degrees Celsius, the variations in glaze thickness led to dripping and dispersion effects, especially noticeable around the mouths of the horses and the lower parts of their legs.
釉水呈現天然蛤蜊光澤，開片為年代久遠的天然細開片痕跡及時代斑剝歲月痕跡，細微開片內帶有大量土沁，底座有部分風化、脫釉現象，此組為出土後傳世，但有經清洗、噴護理臘保養。
The glaze produces a natural lustrous finish reminiscent of mother-of-pearl, while age-related fine crack patterns are visible. The figurines are believed to have been unearthed and have undergone cleaning and preservation.
