珊瑚紅釉是一種低溫鐵紅釉，在白瓷胎上釉，低溫燒造而成，採用的工藝是吹釉上釉方式，燒成後釉色均勻、光潤，能與天然珊瑚媲美，故名為「珊瑚紅釉」，清朝乾隆時期珊瑚紅釉色顏色深，發色艷麗且釉層厚。
Coral-red glaze is a type of low-temperature iron-red glaze applied on white porcelain body and fired at a lower temperature. The glazing process involves blowing the glaze onto the surface. After firing, the glaze appears even and lustrous, rivaling the color of natural coral, hence the name "coral-red glaze." In the mid-Qianlong period of the Qing Dynasty, coral-red glaze exhibits a deep and vibrant hue with a thick glaze layer.
此件手拉坏、接胎後修胎，口內、足內施天然綠松石釉，是為官窯特徵之一。此梅瓶造型為乾隆朝典型器，瓶口描以金邊，口沿厚唇，短頸、豐肩下弛型制，腹部以下漸收斂。
This vase underwent the technique of hand-pulling the neck, joining segments, and subsequent refinement. The interior of the mouth and foot are coated with a natural turquoise glaze, characteristic of Official kilns. The vase's form is typical of the Qianlong era, featuring a gold rimmed mouth with a thick lip, short neck, flaring shoulders, and a tapered body below the waist.
天地描金，口沿外圍描金繪捲草紋與如意頭紋紋飾，器身主體的海水五雲龍紋龍首頂部有帶梅花包，是標準清朝乾隆中期的龍頭形式，五雲龍背景飾以描金雲紋、火焰珠，底部繪有描金海濤紋，描金處因年代久遠帶有氧化效應。全器紋飾與畫工為清朝乾隆中期官窯常見之繁繪畫法和畫工，畫工流暢、工整細膩。
The gilt decoration on this piece encompasses the mouth's outer edge with a gilded scrolling pattern and ruyi head motifs. The main body of the vase is adorned with a five-claw dragon motif among sea waves and clouds. The dragon's head features a mei-hua (plum blossom) finial, representing the standard dragon head style of the mid-Qianlong period. The background of the dragon motif is decorated with gilded cloud patterns and flaming pearl motifs. The base displays a gilt sea wave pattern, which has developed oxidation effects over time. The overall motif and painting style adhere to the prevalent decorative technique and craftsmanship of Official kilns during the mid-Qianlong period. The painting is smooth, neat, and finely detailed.
底足修圓平足，露胎處為標準高嶺土、微帶雜質，落款使用標準清朝乾隆中期國產青花料，青花料微吃進胎骨。
The vase's base has a rounded foot with exposed clay, displaying standard high-quality clay with slight impurities. The inscription is written in the standard mid-Qianlong period blue and white style, with the blue pigment slightly penetrating the body.

底書六字三行「大清乾隆年製」篆書款，「年」字最上面一橫筆中間斷開，「製」字右上方「刂」部分分為兩筆，「衣」橫劃上有短豎，位置在「制」中與右之間。
The inscription is in six characters arranged in three lines: "Da Qing Qianlong Nian Zhi" (Made in the Qianlong Reign of the Great Qing Dynasty). Notably, the horizontal stroke in the character "年" (nian) is broken in the middle, and the upper part of the "制" (zhi) character is composed of two strokes.