此件是張大千四十三歲至四十八歲之作品，張大千先生以當時所用的筆觸，畫一對白頭翁棲於枝頭、身軀交叉為十字狀，姿態親密、繾綣纏綿，意味大千先生和三夫人楊婉君感情深厚親暱、白頭偕老，工筆筆觸細膩、簡潔有力且色彩飽滿。
This piece was created when Zhang Daqian was between 43 and 48 years old. Using the brushwork techniques of his time, Zhang Daqian depicted a pair of white-headed orioles perched on a branch, their bodies intertwined in a cross shape. This intimate and intertwined posture symbolizes the deep and intimate bond between Zhang Daqian and his third wife, Yang Wanjun. The artwork conveys their profound affection and enduring partnership. The brushstrokes are delicate, concise, powerful, and the colors are rich and vibrant.
此幅雙翁相互依偎立於枝頭上，一鳥側身、一鳥正面喙啄舉起的右爪，雙鳥皆眼神銳利、炯炯有神，羽毛和鳥爪動作繪製細膩逼真，細觀之張大千先生筆鋒力道十足、沒有猶豫，且無鉛筆勾勒打草稿之痕跡，筆觸的中鋒與側鋒力道十足，不斷勢也不斷氣。畫中一支桃花從右側斜出呈S型布局，枝幹以濃淡相參的墨色繪出其細瘦柔婉質感，左側枝葉筆墨略淡顯現出空間透視感，象徵愛情美好的桃花以白色纖細精微地勾勒。
In the painting, the orioles nestle closely together on a branch. One bird is positioned sideways while the other faces forward, raising its right claw as if pecking. Both birds have sharp, alert eyes and detailed feathers and claws, capturing a sense of intricate realism. Upon close observation, Zhang Daqian's brushwork is confident and assured, with no hesitation or traces of preliminary pencil sketching. The brushstrokes exhibit both central and side force, maintaining continuous momentum and vitality. A branch of peach blossoms emerges from the right side in an S-shaped layout. The branch's varying shades of ink convey a slender and graceful texture. The lighter ink on the left side suggests spatial perspective, portraying the symbol of love—the beautiful peach blossom—with delicate and precise white strokes.
紙張是大千先生慣用的熟宣紙，本身無做舊之痕跡，礦物彩大部分有老化痕跡，紙張也有黴斑。
The paper used is Zhang Daqian's familiar "Xuan paper." Although not artificially aged, the artwork has been remounted before, and there are traces of aging in the mineral color sections and minor mold spots on the paper.

大千先生寫書法時慣常沾墨即寫，不會在硯台上甩墨，因此書法字會有墨色深淺、大小不同，此幅畫作題字的起承轉合即符合大千先生寫書法的慣性和筆觸，簽名落款也是大千先生標準壯年時期正確簽名款之一。
When Zhang Daqian engaged in calligraphy, he typically dipped his brush directly in ink and wrote, without flicking ink on the inkstone. As a result, the calligraphy characters can vary in ink intensity, size, and style. The inscription on this artwork matches Zhang Daqian's habitual calligraphy style, with a coherent flow and brushwork. The signature and seal are both standard from his prime years.
印泥為標準礦物朱砂成分，是大千先生愛用之老朱砂印泥之一，印章款為「張爰福壽」之印，此印為陳巨來1927年結識張大千後為其所刻。
The seal paste used is composed of standard mineral cinnabar, one of Zhang Daqian's preferred red seal paste formulas. The seal reads "Zhang Yuan Fu Shou," and it was carved by Chen Julai in 1927 after his acquaintance with Zhang Daqian.