六接胎以上、不修胎，器身小口、豐肩、溜縮腹，線條造型優雅、活潑，並搭配精巧、細緻之花苞鈕型器蓋；為元朝不同於宋朝民族性，所產生豪邁、新穎造型之梅瓶風格，瓶體由八個不等平面組成八方形。
It features various intricate designs with exquisite craftsmanship. The vase showcases a distinct style, different from the ethnic characteristics of the Song dynasty, exhibiting a more bold and innovative form. It has a small mouth, rounded shoulders, and a tapering body, demonstrating an elegant and lively linear style. The delicate bud-shaped lid complements the overall aesthetics.
花苞型鈕器蓋上沿繪有釉裡紅捲草紋，鈕蓋主體紋飾是有間隔的青花蓮瓣紋，內繪釉裡紅祥雲紋飾。瓶身豐肩上沿繪青花雙圈，內有青花捲草紋，豐肩上繪青花鳳凰，鳳凰雞頭鷹嘴，身有細鱗片，尾部為兩條呈粗線條狀，尾端內捲、不露足，鳳凰周圍有青花釉裡紅牡丹捲葉紋，捲葉狀似葫蘆型，豐肩和腹部以青花繩紋為間隔，器身主體以青花畫出四開光，開光內有青花釉裡紅元曲故事人物，開光外繪釉裡紅捲草紋，主體紋飾下繪青花雙圈，內有釉裡紅捲草紋，足外圍繪製有間隔的青花蓮辦紋，內繪青花如意雲與釉裡紅捲草紋，整體紋飾皆為標準元朝時期畫風及紋飾，畫風滿工。
The lid of the bud-shaped cover is adorned with iron red scrolling motifs, while the main body features a blue and white lotus petal pattern, separated by iron red clouds. The shoulders are embellished with blue and white double rings, portraying a phoenix with distinctive features. The phoenix has a rooster's head, eagle-like beak, fine scales, and a unique tail with coiled ends. The surrounding area of the phoenix depicts iron red peony scroll motifs in a gourd-like pattern. The body of the vase is divided into four panels with blue and white ropework patterns. Each panel showcases iron red narrative figures from Yuan dynasty stories, surrounded by iron red scrolling motifs. The base of the vase exhibits blue and white lotus scroll patterns with iron red accents. The overall decorative style and patterns are representative of the Yuan dynasty, executed with remarkable skill.
釉裏紅易燒失，對溫度及氣氛敏感，如發色不好則容易呈黑色或灰色，若還原氣氛掌控不好還會出現綠色斑痕，此件少部分即有釉裡紅揮發未完全形成的蟹殼青與蘋果綠，是標準元朝釉裡紅特徵。青花料以國產料和進口料混合，微帶周圍有黃褐、綠褐的鐵鏽斑，青花料和釉裡紅皆吃進胎骨，透明釉部分微帶蛋青。
The iron red glaze is sensitive to firing conditions and atmosphere, potentially resulting in colors like black or gray. In this case, slight remnants of underdeveloped iron red glaze result in crabshell green and apple green hues. This is a characteristic feature of Yuan dynasty iron red glazes. The blue and white pigments are a mix of domestically produced and imported materials, featuring subtle rust spots in shades of yellow-brown and green-brown. Both the blue and white pigments and iron red glaze are integrated into the body, while the transparent glaze has a slight eggshell tint.
此件使用麻昌土與高嶺土混合之二元配方土，胎質粗、帶雜質，足底末施釉但有滴釉，足底斜削45度，可見黑褐色芝麻斑點狀，足底和足底滴釉處有標準火石紅。
The vase is made using a combination of Ma Chang and Gaoling clays, resulting in a coarse texture with impurities. The foot is unglazed with dripped glaze, and the underside displays a 45-degree bevel with characteristic sesame seed-like black-brown spots. The foot and the dripped glaze area exhibit standard "fire-chestnut" marks.