此梅瓶造型為乾隆朝典型器，瓶口描以金邊，口沿厚唇，短頸、豐肩下弛型制，腹部以下漸收斂，修胎精緻工整，器身主體以霽藍釉為底，此霽藍釉色系近似喀什米爾寶石藍，遠看像黑色，近看光線下是寶石藍色、呈現寶光。
The meiping features a typical form of the Qianlong period with a gilded rim, thick-lipped mouth, short neck, gracefully sloping shoulders, and a tapering body below the shoulders. The meticulous refinement of the body exemplifies the craftsmanship of the era. The main body of the vase is covered with a lapis lazuli blue glaze, reminiscent of the color of Kashmir sapphire. From a distance, it appears black, but up close and under the light, it displays a gemstone-like blue hue with a lustrous quality.
此瓶口沿內、足底施透明釉，透明釉微帶蛋青，口沿微外撇，短頸部繪描金蕉葉紋，豐肩處繪有描金如意頭紋，器身主體的海水五雲龍紋形貌似中、後期的乾隆皇帝，龍角肥大，龍眼圓睜、龍眉較長，龍首頂部帶梅花包，是標準清朝乾隆中、後期的龍頭形式，五雲龍背景飾以描金雲紋、火焰紋及火焰珠，底部繪有描金海濤紋，描金處因年代久遠帶有氧化效應。全器紋飾與畫工為清朝乾隆時期官窯常見之繁繪畫法和畫工，畫工流暢、工整細膩。此件底足修圓足，足底露胎處是標準高嶺土。
The interior of the mouth and the foot are coated with a transparent glaze, slightly tinged with eggshell blue. The mouth has a subtle outward flare, and the short neck is adorned with gilded banana leaf patterns. Gilded ruyi head patterns decorate the sloping shoulders. The depiction of the five-claw dragon motif on the main body resembles the portrayal of Emperor Qianlong in the mid-to-late period. The dragon's features include prominent horns, round-opened eyes, and elongated eyebrows. The dragon's head is adorned with a mei-hua (plum blossom) finial. The background of the dragon is decorated with gilded cloud patterns, flame patterns, and flame pearls. The base displays a gilt sea wave pattern, which has developed oxidation effects over time. The overall motif and painting style adhere to the prevalent decorative technique and craftsmanship of Official kilns during the Qianlong period. The painting is smooth, neat, and finely detailed. The base has a rounded foot, with the foot's exposed portion made from standard high-quality clay of the period.

落款使用標準清朝乾隆初期國產青花料，青花料微吃進胎骨，呈色藍中帶灰，底書六字三行「大清乾隆年製」篆書款，「年」字最上面一橫筆中間斷開，「製」字右上方「刂」部分分為兩筆，「衣」橫劃上有短豎，位置在「制」中與右之間。
The inscription is in the standard early Qianlong period blue and white style, with the blue pigment slightly penetrating the body. The inscription reads from right to left: "Da Qing Qianlong Nian Zhi" (Made in the Qianlong Reign of the Great Qing Dynasty). Notably, the horizontal stroke in the character "年" (nian) is broken in the middle, and the upper part of the "制" (zhi) character is composed of two strokes.