秘色瓷胎質細膩純凈，氣孔小而少，普通瓷器上常見的鐵鏽點等雜質幾乎完全不見，施釉均勻，少見流釉或積釉現象，1987年法門寺出土的唐宋時期秘色瓷以天青色為主，也有少數黃褐色秘瓷，因清朝乾隆時期尚未知曉秘色瓷的顏色，此秘釉瓷為乾隆時期由官窯琢磨出的特殊配方。
The secret color porcelain body is delicate and pure, with small and few air bubbles. Common impurities such as iron rust spots found on ordinary porcelain are almost entirely absent. The glaze is evenly applied, with few instances of flowing or pooling glaze. The secret color porcelain excavated from Famen Temple in 1987 during the Tang and Song dynasties primarily featured celestial blue, with a few examples of yellow-brown secret porcelain. Since the color of secret color porcelain was not known during the Qing Dynasty Qianlong period, this secret glaze porcelain represents a special formula developed by the official kilns during that time. 
此件手拉坏，薄胎透光、修胎精緻，口內、足內施白釉，白釉微帶蛋青。此尊口沿微外撇，短頸、豐肩，腹部以下漸收斂，足微外撇。
This vase is handcrafted with a thin translucent body and refined repairs. The interior of the mouth and the interior of the foot are coated with white glaze, which has a subtle eggshell tint. The mouth of the vase slightly flares outward, with a short neck and a robust shoulder. Below the abdomen, it gradually tapers inward, and the foot slightly flares outward.
口沿描金，短頸處描金繪蕉葉紋，溜肩處繪有描金捲葉紋及如意頭紋，器身主體的雙龍龍首、龍鱗是標準清朝乾隆中後期常見的龍畫法，雙龍作搶中央火焰珠狀，背景飾以描金雲紋、火焰紋，底部繪有描金海濤紋，描金處因年代久遠帶有氧化效應。全器紋飾與畫工為清朝乾隆中後期官窯常見之繁繪畫法和畫工，畫工流暢、工整細膩。
The mouth of the vase is decorated with gold, and there is a gold-painted banana leaf pattern at the base of the neck. The sloping shoulder is adorned with gold-painted scroll patterns and auspicious symbols. The main body of the vase features two dragons with standard Qing Dynasty Qianlong period dragon painting techniques. The two dragons are vying for a central flame-shaped pearl, with a background decorated with gold-painted cloud and flame motifs. The bottom of the vase is adorned with a gold-painted sea wave pattern, which has undergone oxidation over the years. he overall design and craftsmanship of this vase are consistent with the elaborate painting techniques and workmanship commonly seen in the official kilns of the mid-to-late Qing Dynasty Qianlong period. The painting is smooth, precise, and finely detailed. 
此件施釉均勻、釉水雜質少，釉水表面有縮釉，光線下秘釉和描金部分有些微蛤蠣光，整體溫潤帶寶光。
The glaze is evenly applied with minimal impurities, and there is a slight lustrous quality to the secret glaze and gold-painted portions when viewed in certain lighting conditions. The vase has a warm and radiant appearance.

底足修圓足，落款使用標準清朝乾隆中後期國產青花料，青花料微吃進胎骨、呈色青中帶灰，底書六字三行「大清乾隆年製」篆書款，「年」字最上面一橫筆中間斷開，「製」字右上方「刂」部分分為兩筆，「衣」橫劃上有短豎，位置在「制」中與右之間。
The base is rounded and inscribed with a standard Qing Dynasty Qianlong period six-character three-line seal script mark that reads "Da Qing Qianlong Nian Zhi." The character "年" has a horizontal stroke in the middle, the character "製" is divided into two strokes at the upper right, and the character "衣" has a short vertical stroke above the horizontal stroke, positioned between "制".