此幅壁畫使用藏畫法，也叫喇嘛水陸道場畫法。顏料是用標準明朝中後期的天然礦物彩料，呈色依然鮮豔，但有明顯年代久遠風化現象。畫工繁複細緻，與法海寺內壁畫之畫工如出一轍，菩薩和天女、仙人的神態姿勢、衣著紋飾，以及背景捲雲畫法，整體畫風、畫法和布局方式相似。
This item is a mid to late Ming dynasty thousand-handed Guanyin painting painted in the Tibetan style, which is also known as the lama water and land bodhimanda painting method. The ink used is standard mid Ming dynasty natural mineral paint, which is still vibrant, although signs of aging can be seen. The details on this painting are complex and intricate, and similar to that in the Fahai Temple wall paintings. The postures and clothing patterns of the bodhisattva and the deities, and the curled cloud in the background, the overall painting style, and layout of the painting method are similar.
此幅畫中央為千手千眼觀音，觀音冠上有十一面，頂面是佛面，十一面代表所有諸佛，眼瞼低垂呈思考狀，眉心中央有白毫，頭部比例較大，身形沉穩端正，上半身面積較大，著有藍色披肩的天衣，下身著有描金仰覆式蓮花團紋之紅色褲裙，觀音手心有眼，手持施無畏、日精摩尼、月精摩尼、寶弓、寶箭、楊柳枝、白拂、寶瓶、傍牌、鉞斧、骷髏寶杖、數珠、寶劍、金剛杵、俱屍鐵鉤、錫杖、白蓮花、青蓮花、紫蓮花、紅蓮花、寶鏡、寶印、合掌、寶篋、五色雲、寶戟、寶螺、如意寶珠、罥索、寶缽、玉環、寶鐸、跋折羅、寶經、不退轉金輪、蒲桃等法器，露雙足立於華麗蓮座上，蓮座蓮瓣以蓮花和標準明朝中後期捲葉紋為飾，觀音上方有寶傘蓋，寶傘蓋左右有天女，觀音左右則是婆菽仙人為侍。
The thousand-handed Guanyin sits in the center of the painting and has 11 faces on her crown, which represents all the faces of the Buddhas. Guanyin has her eyes lowered in thought, and has an urna in the center of her forehead. She has a proportionally larger head and a stable, upright body. The upper body is covered with a blue shawl robe while the lower body is covered with divided skirt decorated with gold-outlined lotus flower patterns. There is also an eye in the palms of her hands. She is holding an abhaya mudra, Cintamani of the Sun, Cintamani of the Moon, bow, arrow,, willow branch, white fly-whisk, vase, shield, ax, Skull Staff, prayer beads, sword, vajra, corpse hook, khakkhara, white lotus, green lotus, purple lotus, red lotus, mirror, seal, Añjali Mudrā, treasure box, colored clouds, halberd, shell, ruyi jewel, rope, alms bowl, jade ring, treasure bell, vajra pestle, scripture, the no-back-turning golden wheel, and rose apple. The Guanyin is standing on a beautiful lotus seat, on which the petals are decorated with standard mid to late Ming dynasty rolled leaf patter. There is a jeweled umbrella above the Guanyi, with goddesses standing on either side. The Guanyin is also served by Po-Shu immortal on the left and right.