六接胎以上、不修胎，撇口、細頸、圓腹、圈足。口內沿繪上一圈梅花紋，器身畫人物故事圖，並間以奇石、梅花、芭蕉葉和竹紋等植物紋飾。
The vase is characterized by its unaltered condition with at least six connected sections, a flared mouth, slender neck, rounded body, and a circular foot. The inner mouth rim is adorned with a ring of plum blossom motifs, while the main body of the vase is painted with scenes of figures, interspersed with botanical motifs like peculiar rocks, plum blossoms, banana leaves, and bamboo.
器身所繪「蒙恬將軍」人物故事主要內容為蒙恬將軍審訊戰俘的五人場景；面相威嚴、頭戴頂盔貫甲之蒙恬將軍端坐椅上，其身後站一披甲懸宋刀小卒、雙手舉旗，旗上直書「蒙恬將軍」四字；其前方則有一武士，右手持弓、腰上背箭，左手朝向攜戰俘前來稟告之士卒。該士卒頭戴氈笠、短衣束帶，左手正抓著一位頭戴高冠、身著花袍、面向蒙恬將軍跪伏於地的戰俘。本器紋飾上的人物服裝非正統秦軍裝扮，應為元朝時期的戲劇服裝。整體紋飾皆為標準元朝時期畫風及紋飾，畫風滿工。
The central narrative on the vase portrays a scene involving General Meng Tian interrogating five prisoners. General Meng Tian, donning a dignified expression and armored helmet, sits upright on a chair. Behind him stands a young soldier wearing armor and holding a Song dynasty sword. He holds a flag with the inscription "General Meng Tian" in bold characters. In front of Meng Tian is a warrior with a bow in his right hand and arrows on his waist. His left hand points toward a messenger approaching with a prisoner. The messenger, donning a short jacket and hat, leads a captive who is kneeling before General Meng Tian, adorned in an ornate robe and tall hat. The attire of these figures diverges from traditional Qin dynasty uniforms, suggesting the influence of Yuan dynasty theatrical costumes. The entire composition showcases the standard artistic style and motifs of the Yuan dynasty, characterized by meticulous craftsmanship.
釉裏紅易燒失，對溫度及氣氛敏感，如發色不好則容易呈黑色或灰色，若還原氣氛掌控不好還會出現綠色斑痕，此件少部分即有釉裡紅揮發未完全形成的蟹殼青與蘋果綠，是標準元朝釉裡紅特徵。青花料以國產料和進口料混合，國產料比例較高，青料低鐵高錳，色澤微帶藍紫色，微帶周圍有黃褐、綠褐的鐵鏽斑，青花料和釉裡紅皆吃進胎骨，透明釉部分微帶蛋青。
Iron red glaze is sensitive to firing conditions and atmosphere, potentially resulting in colors like black or gray. In this case, slight remnants of underdeveloped iron red glaze result in crabshell green and apple green hues, which are characteristic of Yuan dynasty iron red glazes. The blue and white pigments are a mix of domestically produced and imported materials, with a higher proportion of domestically sourced materials. The blue pigment has low iron and high manganese content, giving it a slight blue-purple hue, with subtle yellow-brown and green-brown rust spots on the edges. Both the blue and white pigments and iron red glaze are integrated into the body, while the transparent glaze has a slight eggshell tint.
此件使用麻昌土與高嶺土混合之二元配方土，胎質粗、帶雜質，足底末施釉但有滴釉，足底斜削45度，可見黑褐色芝麻斑點狀，足底和足底滴釉處有標準火石紅。
The vase is made using a combination of Ma Chang and Gaoling clays, resulting in a coarse texture with impurities. The foot is unglazed with dripped glaze, and the underside displays a 45-degree bevel with characteristic sesame seed-like black-brown spots. The foot and the dripped glaze area exhibit standard "fire-chestnut" marks.