此件天地描金，手拉坏，內部與底部施綠松石釉，是清朝乾隆時期官窯精品特徵之一。口沿微外撇，頸部和肩處兩側，貼以描金雙燕為耳，描金部分已有老包漿，胖腹、縮足，足微外撇。口沿外繪花卉紋，溜肩處繪如意頭紋，腹部有四開光，開光內用琺瑯粉彩繪洋婦與小孩，開光外以琺瑯彩繪捲草紋為底，底足外緣畫繁複華麗蕉葉紋一圈，足外圍繪珊瑚紅一圈，筆法自然流暢、俐落。
The jar features gilt decoration on both the interior and exterior surfaces, with a flared rim and delicately applied gilt double-swallow handles on the sides of the neck and shoulder. The jar is characterized by its hand-pulled rim and is coated with turquoise enamel on the interior and base, showcasing the finest craftsmanship associated with official kilns of the Qianlong era.
The outer rim of the mouth is painted with floral motifs, while the shoulder is adorned with a ruyi head pattern in gilt. The bulbous body features four "openwork" panels, each decorated with famille rose enamel depicting Western women and children. The "openwork" panels are set against a background of gilt scroll motifs. The foot is embellished with an intricate and elaborate design of banana leaf motifs, surrounded by a coral-red border. The brushwork used in the painting is natural, smooth, and precise.
人物與捲葉紋繪製細膩生動，全器紋飾與畫工為清朝乾隆中後期官窯常見之繁繪畫法和畫工，畫工流暢、工整細膩，黃地釉和綠釉部分有天然老化開片現象和明顯蛤蜊光。
The detailed portrayal of figures and scroll motifs is vibrant and intricate. The overall decoration and craftsmanship exhibit the common elaborate painting techniques and skills seen in mid-to-late Qing Qianlong official kiln productions. The execution of the artwork is fluent, meticulous, and refined. Both the yellow ground enamel and the turquoise glaze show signs of natural aging and crackling, with noticeable clam-like iridescence.

此件底足露胎處為標準高嶺土、微帶雜質，落款是標準清朝乾隆中後期青花「大清乾隆年製」六字篆書款，筆劃平直，同一筆畫的轉折有些是斷開後再起筆，但雖有斷筆而勢不斷；筆劃渾厚有力，結體大氣。書寫筆劃均勻，粗細得宜，以直筆筆劃為多，字體方正。
The exposed foot of the piece is made from standard kaolin with slight impurities. The mark on the base is a standard mid-to-late Qing Qianlong blue and white six-character seal script mark, with straight brushstrokes. In some instances, a stroke is lifted and restarted after a break, yet the momentum remains unbroken. The brushstrokes are robust and powerful, creating an overall composed structure. The writing strokes are consistent, appropriately thick or thin, with predominantly straight lines and a square character style.